🏂 Moby's Playlists

Adjacent to Talk Talk's dreamy post-punk — wall-of-sound shoegaze at its finest

MF DOOM x Madlib — abstract hip-hop adjacent to Nujabes' jazz-rap sensibility

Delicate ambient from the master — connects to Brian Eno listening and Japanese ambient taste

Warm electronica with live instrumentation — bridges the gap between FKJ and deeper house

Spiritual jazz flute over broken beat — adjacent to Yussef Dayes' jazz-electronic crossover

Cosmic deep house with jazz keys — spiritual successor to Kerri Chandler/Chris Stussy vibes

Jordan Rakei's house alias — warm, soulful dance music with live instrumentation

West London broken beat — connects Kaidi Tatham's world to something fresh

Japanese ambient-house pioneer — early tape experiments bridging ambient and deep house

Dark trip-hop — adjacent to Sneaker Pimps and the moody electronic side of recent plays

City pop deep cut — same era as Momoko Kikuchi and Taeko Onuki but with a jazzier edge

Beyond Plastic Love — a funk-driven cut from Japan's city pop queen

Disco-funk revival — connects Folamour's dancefloor energy with Sade's smooth vocals

Broken beat pioneer — bridges Yussef Dayes' jazz energy with Kerri Chandler's groove

Deep house royalty — same world as Osunlade and Motor City Drum Ensemble

Jazz-pop guitar warmth meets hip-hop — adjacent to Nujabes and Jordan Rakei

Electronic euphoria — connects Four Tet's warmth with &ME's dancefloor moments

Anderson .Paak x Knxwledge's smoothest — lo-fi soul that pairs with Moodymann's late-night feel

LA deep house vocals — the missing link between KAYTRANADA and Chris Stussy

Jazz-funk keys from Yussef Dayes' former partner — broken beat meets cosmic soul

City pop deep cut — adjacent to Taeko Onuki, Tatsuro Yamashita, and Masayoshi Takanaka in your rotation

Dark synthwave that sits right next to Gesaffelstein's lane — neon-drenched and menacing

Persian singer-songwriter who reinvents traditional music — connects to your Googoosh and Homayoun Shajarian plays

Brazilian jazz-funk trio — same world as Marcos Valle and Tim Maia but more synth-driven and groovy

Neo-soul/future jazz that bridges your Tom Misch and Yussef Dayes listening — Melbourne's finest

UK jazz collective in the Yussef Dayes orbit — infectious energy with Afrobeat undercurrents

Detroit deep house royalty — same lineage as Moodymann and Larry Heard in your library

New wave R&B that channels your New Order and Sade energy through a lo-fi bedroom lens

Experimental hip-hop from Ishmael Butler — the warped, spacey counterpart to your Playboi Carti deep-dives

Lo-fi house that lives between your Four Tet and Floating Points worlds — warm, textured, hypnotic

City pop deep cut — adjacent to Taeko Onuki and 加藤有紀 in his rotation

Deep house foundation — connects to his Kevin Yost, Jimpster, Osunlade taste

Nu jazz with soul — bridges Yussef Dayes and Nujabes in his top artists

Persian pop classic — follows his Googoosh, Homayoun Shajarian, Nooshafarin thread

Japanese jazz piano — intersects his love of Japanese music and jazz fusion

Disco-house energy — links to Folamour and The Magician in his recent plays

Post-punk/darkwave — adjacent to Boy Harsher and New Order in his top artists

Soul/funk collective — connects Sade's smoothness with The Blackbyrds groove he saved

Jazz hop — same lane as Nujabes, lo-fi beats with live instrumentation

Minimal electronica — bridges Gesaffelstein's edge with Daft Punk's atmosphere

Warm deep house opener — fits your Jimpster/Kevin Yost rotation

Classic house edit energy — bridges your &ME and Folamour listens

Peak city pop shimmer — adjacent to your Taeko Onuki and Momoko Kikuchi plays

Brazilian funk royalty — extends the Marcos Valle thread in your library

Neo-soul meets Tom Misch production — connects your Yussef Dayes and Tom Misch listening

Lo-fi hip-hop soul — the spiritual ancestor of Nujabes in your rotation

Modern jazz that parallels your Yussef Dayes and John Coltrane listens

Persian vocal powerhouse — complements your Googoosh and Nooshafarin plays

Dreamy ethereal wave — the softer cousin of your New Order obsession

Dark electronic precision — bridges Gesaffelstein and Boy Harsher in your taste

Folamour does that warm, euphoric deep house that sits right next to &ME and Jimpster in your rotation — proper Saturday morning opener energy.

Deep cut city pop from '83 — same dreamy synth-funk universe as Taeko Onuki and 加藤有紀 but with this gorgeous nocturnal edge you haven't heard yet.

Uyama Hiroto was Nujabes' closest collaborator — this is jazzy lo-fi with Cise Starr's flow on top. If you love City Lights, this is the next stop.

Classic Tego — raw, grimy reggaeton from before it went pop. If Bad Bunny is in your top artists, this is the godfather track you need in the collection.

Brazilian boogie-funk from '83 that sounds like it was produced yesterday. Same soul-meets-synth energy as the Sade and Grover Washington Jr. you've been spinning.

Takanaka is the Japanese guitar funk wizard — think Soichi Terada's cousin who plays guitar instead of synths. Pure tropical funk heat.

You've got Tom Misch in your recents — Yussef Dayes is his collab partner gone solo with this hypnotic UK jazz percussion piece that builds and builds.

Nostalgic rave electronica that lives in the same emotional space as your New Order obsession — melancholic synths over a driving beat. Essential.

Ezra Collective with Jorja Smith is UK jazz at its most gorgeous — Mercury Prize winners doing what Nujabes did but with a London twist. The horns are ridiculous.

Japanese math rock that hits like a puzzle you enjoy solving — intricate guitar work and time signature changes that keep your brain engaged. Perfect Tokyo soundtrack.

You've been heavy on &ME lately — Rampa's from the same Keinemusik crew but brings a slightly more melodic, rolling deep house energy that hits different.

With all the Taeko Onuki and 加藤有紀 you've been spinning, Takanaka's guitar-driven Japanese fusion is the natural next step — pure sunshine boogie from the same era.

Belgian-Caribbean harpist doing cosmic UK jazz — if you dig Floating Points and the ambient side of your listening, this is the next rabbit hole.

A deep house classic that sits perfectly between the Peggy Gou and &ME in your rotation — hypnotic, warm, and somehow gets better every listen.

You've got Surprise Chef in your top tracks — Yussef Dayes is the UK jazz drummer who brings that same instrumental groove but with broken beat swagger.

Nujabes' right-hand man with a lo-fi jazz instrumental that feels like a Tokyo autumn afternoon — mellow and contemplative without being sleepy.

You've been vibing Central Cee's reggaeton collabs — Tainy is the producer behind half the best reggaeton of the last decade, and this one's a slick Friday night starter.

Mercury Prize-winning UK jazz meets afrobeat with Yazmin Lacey's silky vocals — bridges your Sade love and your Surprise Chef instrumental taste.

YMO co-founder doing quirky Japanese electronic — connects your city pop world to the electronic side. Weird, funky, and absolutely brilliant.

Japanese math rock at its most beautiful — intricate guitar work that feels emotional rather than technical. Perfect closer for a Friday playlist.

You've been deep in Tatsuro Yamashita territory — Taeko Onuki is his wife and this 1977 SUNSHOWER cut is peak city pop with Ryuichi Sakamoto on keys. If you don't know it yet, it'll feel like finding a secret level.

French deep house with that same soulful warmth you get from Jimpster and &ME, but Folamour brings this jazzy, sunset-on-the-terrace energy that's hard to resist.

You vibed with Ezra Collective's danceable UK jazz — this is Nubya Garcia going full cumbia with Kaidi Tatham flipping it into broken-beat gold. London jazz scene at its most adventurous.

Japanese math-rock trio with insane time signatures that somehow still groove. Being in Tokyo right now, this is basically required listening — intricate guitar work that'll make your brain tingle.

Melbourne neo-soul that sits right between your Sade love and your Nujabes side. Nai Palm's vocals over that wobbly bass is pure ear candy — the kind of track that rewards headphones.

Japanese lo-fi jazz producer in the Nujabes lineage — warm piano loops and dusty drums. If Uyama Hiroto's 81Summer hit right, this is the perfect next step down that rabbit hole.

Sam Shepherd builds these intricate electronic textures that feel alive — sits in that same cerebral space as Overmono but more minimal and hypnotic. Late-night headphone territory.

Lo-fi house with raw, tape-saturated energy — if Peggy Gou's stuff hits for you, Mall Grab is the grittier, more underground cousin. This one's got that 3AM warehouse warmth.

You had Central Cee's Gata on repeat — Tainy's production here takes reggaeton into experimental electronic territory with Bad Bunny. It's the weird, beautiful side of Latin music.

Deep house royalty — Kerri Chandler is the bridge between your Moodymann love and the soulful house side. This club mix is pure groove, the kind of track DJs build entire sets around.

You've been deep in Soichi Terada's world — Yokota is his Tokyo deep house soulmate. Same warm, rolling grooves but with a cheekier dancefloor energy.

With Momoko Kikuchi and 加藤有紀 on repeat, this is the next step — Takanaka is a Japanese funk guitar god who blends tropicalia with fusion. Pure sunshine.

You've got Nujabes' City Lights on heavy rotation — Uyama Hiroto was his closest collaborator and this track carries that same spiritual jazz-hop DNA.

You've been listening to Tainy — Buscabulla is Puerto Rican electronic duo that takes reggaeton's pulse and wraps it in dreamy synth-pop. Way more textured than the mainstream.

Since Surprise Chef's Daylight Savings is already in your top tracks, meet their Melbourne funk neighbours. Same scene, same heat — instrumental soul that swaggers.

You're into Kokoroko's Abusey Junction — Alfa Mist is from the same London jazz scene but leans more into hip-hop influenced keys and broken beat. Moody and gorgeous.

Japanese math rock at its most emotional — intricate guitar interplay that builds to something genuinely moving. If you like precision and feeling at the same time, this is it.

With Basic Channel, Deepchord, and Fluxion in your recent plays, Monolake (Robert Henke, co-creator of Ableton Live) is the missing piece of that dub techno puzzle.

Ecuadorian electronic producer who blends Andean folk with deep house — bridges your love of organic grooves and electronic production in a way that feels totally fresh.

A city pop essential you might've missed — Taeko Onuki's late-night groove is silkier and more melancholic than Tatsuro or Mariya. Perfect for the Tokyo midnight hour.

Warm, jazzy deep house from one of the genre's best — sits right in that Moodymann/Osunlade pocket you've been living in lately.

An absolute city pop gem from 1983 — dreamy synths and Tomoko's silky vocals. If you dig Soichi Terada's vibe, this is the spiritual ancestor.

Sam Shepherd at his most textural and hypnotic — bridges Daft Punk's moodier side with something way more experimental. Proper headphone track.

UK jazz meets cumbia with a broken-beat remix from Kaidi Tatham — Nubya's sax over Latin rhythms is an unexpected combo that just works.

London duo doing disco-funk that feels like Dabeull's cooler cousin. Pure serotonin with a proper groove — perfect transition track.

Produced by Ryuichi Sakamoto in '77 — this is the city pop deep cut that influenced everything. You're in Tokyo, this is basically required listening.

Japanese math rock royalty — intricate guitar work that's somehow both technically insane and emotionally warm. Late night headphone essential.

Deep house royalty doing what he does best — soulful, driving, and timeless. This is the Kerri Chandler track that should be in every collection.

Rauw's smoother, more experimental side from Cosa Nuestra — less trap reggaeton, more silky R&B with Latin flavor. Great palette cleanser.

Yussef's drumming is otherworldly — this track builds from meditative to explosive. If Surprise Chef's grooves hit for you, this takes it further.

The blueprint. Moritz von Oswald and Mark Ernestus invented dub techno with this — 15 minutes of pure hypnosis. The reverb IS the instrument.

Rod Modell's Deepchord project — Detroit meets Berlin in the most beautiful way. Sounds like driving through fog at 3 AM.

Greek producer Konstantinos Soublis — Vibrant Forms II is a masterclass in making emptiness feel full. Every echo has a purpose.

Robert Henke (also creator of Ableton Live) — this track feels like the space between buildings in Roppongi at dusk.

Basic Channel's dub reggae alias with vocalist Tikiman. Where Berlin dub techno meets Kingston — the warmest thing on this playlist.

Harder, darker dub techno — Chain Reaction label energy. Named after an oceanic research station, sounds exactly like one.

Japanese dub techno legend — reclusive Saitama producer, barely any interviews. This 12-minute piece is delicate and devastating.

Vainqueur (René Löwe) remixed by Maurizio (Moritz von Oswald). Two dub techno gods on one track — Chain Reaction perfection.

Manchester producer pushing dub techno into something more emotional. The vocal samples floating through distortion — gorgeous and unsettling.

Scott Monteith — Montreal-via-Berlin dub techno with reggae DNA. The perfect closer, like the last train home.

You've been deep in Moodymann and Peggy Gou territory — Kerri Chandler's Full Vocal Mix is the OG deep house soulfulness that inspired all of them.

You've been vibing with Miharu Koshi and Shuya Okino — Yasuha's synth-pop city pop classic is that same late-night Tokyo energy, just from 1984.

You know Nujabes well, but Uyama Hiroto's solo work hits different — warmer, jazzier, like Nujabes' spirit channeled through a saxophone.

From the latest Bad Bunny album — stripped-back reggaeton that leans more into the Puerto Rican countryside vibe. Good palette cleanser between the electronic cuts.

You love Tom Misch's jazz-funk side — Yussef Dayes takes that energy and pushes it into spiritual jazz territory with Shabaka on sax. Absolute heat.

With Blue Hawaii and &ME in your top tracks, you're clearly into that ethereal electronic space. Kelela floats over ambient club production — same orbit, different galaxy.

UK jazz that actually makes you want to move. If you're into the Tom Misch and Yussef Dayes world, Ezra Collective is the missing piece — Afrobeat meets London jazz.

Japanese math rock at its most beautiful. With your love of Japanese music and intricate production, toe's shimmering guitar work is the instrumental equivalent of a late-night Shibuya walk.

You've got Omar Souleyman in your top tracks — Nicola Cruz does the same thing but with Andean and cumbia roots. Electronic meets ancient rhythms, proper global club music.

Perfect closer — Palms Trax makes deep house that feels like sunrise after a long night out. Connects to your Floating Points and Hunee plays, but with a warmer, more melodic touch.

London jazz meets broken beat — Yussef Dayes is redefining UK jazz. Drummer-composer who makes you feel like you're in a Peckham basement at 2am.

Sam Shepherd bridges electronic and classical like nobody else. This one shimmers — minimal, precise, emotionally devastating.

Korean-born, Berlin-based DJ who crossed over massive. This track was everywhere in 2024 — instant party energy.

Melbourne future-soul. Nai Palm's voice is otherworldly — jazz, funk, electronic all twisted together. Anderson .Paak is a fan.

Melbourne instrumental funk straight out of the 70s. All analog, no computers. Like finding a lost Meters record.

Japanese punk-pop quartet who don't care about your genre rules. Kawaii meets noise-punk. They opened for Gorillaz.

Welsh brothers making UK rave music that actually crosses over. This one builds and builds — proper euphoric.

South London poet turned indie darling. Gentle, devastating lyrics over dreamy production. Gen-Z Sade energy.

London-raised, Afro-Cuban influenced jazz pianist. Hip-hop sensibility, jazz chops. Stones Throw vibes.

Japanese math-rock legends. Intricate guitar work that somehow feels emotional, not technical. Essential J-rock.

Folamour's signature feel-good deep house — warm, soulful, and impossibly groovy. If you like Jimpster, this is the French equivalent.

Amsterdam deep house duo Dam Swindle at their smoothest. Jazzy keys over a locked-in groove — proper headnod music.

New Zealand's Chaos In The CBD channelling late-night London energy. Deep, dubby, hypnotic — Isaac Aesili's sax takes it somewhere else entirely.

Hunee is one of the most respected selectors in dance music. This track is warm, strange, and beautiful — like finding a rare record in a Tokyo basement shop.

Unexpected pull from Bieber's catalogue — stripped-back, melancholic, almost lo-fi. Different energy from what you'd expect.

STUTS x tofubeats is a Tokyo dream collab. Boom-bap meets Shibuya-kei electronics — the kind of track that makes a Nakameguro walk feel cinematic.

Kan Sano is a Tokyo keys wizard. Jazz-trained, lo-fi sensibility, Rhodes for days. This one floats.

Dreamy, washed-out Japanese bedroom pop. The kind of song that sounds like it's coming through a window on a warm night.

Homecomings are Kyoto indie pop perfection. Jangly guitars, sweet vocals, and that specific Japanese indie melancholy that hits different.

Miho Hatori (ex-Cibo Matto) goes experimental. Art-pop with teeth — weird, wonderful, and utterly original.

Puerto Rican duo Buscabulla blend synth-pop with Latin rhythms. Dark, danceable, and completely addictive.

Nathy Peluso is Argentine chaos energy in the best way — flamenco, hip-hop, soul, all smashed together. This collab goes hard.

Cuban funk meets Havana street party. Cimafunk is Afro-Cuban funk revival — think if James Brown grew up in Cuba.

Franc Moody are London disco-funk that sounds like it belongs in a Daikanyama boutique. Shimmery, feel-good, impossible not to move to.

L'Impératrice are French synth-pop royalty. Lush, cinematic, very Daft Punk's cooler older sister energy.

Parcels are Australian disco-funk via Berlin. Tight harmonies, crisp production — like if Bee Gees went to Berghain.

Kiefer is an LA jazz pianist who makes beats. Warm Rhodes chords, head-nodding drums — perfect study/work music.

Masego's breakout — a live looping saxophone jam that builds into something hypnotic. Jazz, R&B, and trap all at once.

Saint Motel bring indie pop with a wink. Catchy without being obvious, polished without being sterile.

Hania Rani is a Polish pianist who makes music that sounds like light moving through water. Minimal, beautiful, meditative.

Tatsuro Yamashita's city pop anthem — the sound of Japanese summer, sunshine, and driving with the windows down.

Tokyo Incidents (Sheena Ringo's band) at their most groovy. Art-rock meets jazz-funk — pure Shibuya energy.

Yogee New Waves define the modern Japanese indie sound. Breezy, nostalgic, like a warm evening on the Meguro River.

Cornelius is Shibuya-kei royalty. This track is a sonic collage — headphones recommended, every listen reveals something new.

Nujabes' masterpiece. The godfather of lo-fi hip-hop, gone too soon. This track is a Tokyo night walk in audio form.

Nujabes' masterpiece. The godfather of lo-fi hip-hop, gone too soon. This track is a Tokyo night walk in audio form.

Suchmos brought Japanese city funk back to the mainstream. Smooth, confident, utterly cool.

Nulbarich is Tokyo's answer to Jamiroquai — acid jazz meets J-pop with effortless swagger.

cero make music that sounds like a Haruki Murakami novel feels. Complex, jazzy, dreamy Tokyo pop.

SIRUP is Japanese R&B at its silkiest. Bilingual, smooth, perfect walking-through-Daikanyama energy.

Vaundy is Gen-Z Japan's biggest genre-hopper. This one's playful and catchy — J-pop with real musical depth.

Tom Misch + De La Soul is a match made in heaven. Jazzy guitar, golden-era hip-hop, pure sunshine.

Khruangbin at their most meditative. Thai funk meets Texas psychedelia — sounds like a slow morning in any beautiful city.

Khruangbin's Latin side — dreamy, hypnotic, and perfect for wandering narrow streets with no destination.

Khruangbin's dub-funk deep cut. Mark Speer's guitar tone is liquid gold.

Mild Orange from New Zealand make dream-pop that feels like floating. Warm, hazy, gorgeous.

Men I Trust are Montreal dream-pop perfection. Emmanuella's voice over that bass line is instant calm.

More Men I Trust — this one's got a slightly darker groove. Still dreamy, but with more pulse.

Mac DeMarco's lo-fi masterpiece. Built on a Shigeo Sekito sample — the Japan connection comes full circle.

Toro y Moi invented chillwave, basically. This track is a warm bath of synths and nostalgia.

Toro y Moi's funkier side. Disco-tinged, feel-good, strutting-down-the-street energy.

Chet Baker's voice is heartbreak distilled. A jazz standard that turns any coffee shop into a movie scene.

Ichiko Aoba makes music that sounds like it's coming from another dimension. Japanese folk meets ambient — fragile and stunning.

Fishmans are Japan's most beloved cult band. Dream-pop meets dub meets something entirely their own. Essential.

Shuya Okino (Kyoto Jazz Massive) reimagined through Sleep Walker's broken-beat lens. Deep, soulful, and thoroughly Japanese club music.

Soichi Terada's deep house is pure Tokyo underground. Warm, organic, endlessly groovy.

Rei Harakami was a Japanese electronic pioneer. Glitchy, beautiful, like music made of light and circuits. RIP.

Mondo Grosso + Hikari Mitsushima = Japanese dance music perfection. The vocal is haunting, the beat is relentless.

Kan Sano sitting at the piano doing what he does best — making simple chords sound like a whole universe.

Shigeto bridges Ann Arbor and Tokyo with this one. Broken beat meets jazz — his Japanese-American heritage in audio form.

Kaytranada + Anderson .Paak is an unstoppable combo. Bouncy, funky, impossible to sit still.

FKJ live-loops his way through jazz, house, and soul. This extended jam is a journey — perfect for a long walk.

Uyama Hiroto (Nujabes collaborator) carrying the legacy forward. Jazz-hop that floats above the city.

DJ Okawari's piano-driven instrumental hip-hop. Gentle, melodic, like a letter you read on a bench in a quiet park.

Mndsgn makes beats that sound like they're melting. LA beat scene meets cosmic jazz — Stones Throw excellence.

STUTS, Takako Matsu, and KID FRESINO on one track. This is modern Tokyo distilled into 4 minutes.

Deep cut from Bad Bunny — you've been listening to them lately

Deep cut from Osunlade — you've been listening to them lately

Deep cut from Jimpster — you've been listening to them lately

Deep cut from Rich Medina — you've been listening to them lately

Deep cut from Shuya Okino — you've been listening to them lately

Deep cut from Navasha Daya — you've been listening to them lately

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From the Samurai Champloo soundtrack, this instrumental is pure lo-fi jazz-hop meditation. The kind of track that makes staring out a window feel cinematic.

Nujabes' longtime collaborator channeling that same jazz-hop warmth with flute and keys. Named after a Japanese summer and it absolutely sounds like one.

Kyoto Jazz Massive co-founder Shuya Okino blending deep house with soulful vocals. Sophisticated Tokyo club music for daytime listening.

Japanese deep house royalty delivering a lush, jazzy house cut that's been a Shibuya staple for decades. Warm, organic, and impossibly smooth.

Piano-driven instrumental hip-hop that floats like cherry blossoms. DJ Okawari carries the Nujabes torch with grace — perfect focus music.

Mr. Fingers himself delivering one of deep house's foundational tracks. Those dreamy pads basically invented an entire genre — timeless doesn't even cover it.

Kerri Chandler's deep house is like a warm bath for your ears. Jersey's finest bringing soulful keys and hypnotic grooves — pure mood.

Detroit's Moodymann at his most soulful, chopping jazz samples over dusty house beats. It's got that lived-in quality that makes deep house feel like home.

The city pop anthem that conquered the algorithm. Takeuchi's bittersweet disco-funk hits differently in a Daikanyama café — you're literally in the city it soundtracks.

Takanaka's fusion guitar work is pure sunshine energy — tropical funk that sounds like a vacation. The palette cleanser this playlist needs right in the middle.

Matsubara's midnight groove went from forgotten 80s single to global phenomenon. Silky city pop with a melancholy undercurrent — perfect for late afternoon focus.

French duo Polo & Pan crafting dreamy tropical house with analog warmth. It sounds like sunlight filtering through trees, which is basically the T-Site courtyard vibe.

Kaytranada and Anderson .Paak making deep house you can rap over. That production is so clean it practically shimmers — peak cool without trying.

South London's Tom Misch with breezy jazz-guitar-meets-electronic-soul. Laid-back but intricate — the kind of musicianship that rewards close listening or works as background.

French multi-instrumentalist FKJ layering live loops into a warm, jazzy groove. It feels like watching someone build a song in real time — organic and effortless.

New Zealand-born, London-based Rakei blending neo-soul with electronic textures. His voice is velvet and the production is meticulous — headphone music at its finest.

Kanye at his most vulnerable, with 070 Shake's outro turning the whole thing into something transcendent. A beautiful, raw moment that hits harder in a quiet café.

Bad Bunny's tender side — a reggaetón love song with Bomba Estéreo that's genuinely sweet. The perfect closer, like the sun setting over T-Site as you pack up your laptop.